By Jim Fisher
Once I reviewed the Composer Professional II late final yr, my main gripe was that the bundled optic, the Edge 50 ($ 224.95), wasn’t obtainable for house owners of present Lensbaby merchandise to buy on its personal. That is not the case—now you can buy it aside from the Composer Professional II, an enormous plus for photographers preferring it to a lens with a regular-angle area of view, however are turned off by the Candy 50’s curved subject of focus. It is a strong (although expensive) addition to any Lensbaby package.
The Edge 50 is the second optic within the Edge collection, becoming a member of the Edge 80. Its 50mm focal size is a bit wider than the 80mm provided by its sibling, however the lenses are very comparable in any other case. Each supply a flat subject of focus, which could be tilted when mounted in a Composer Professional or Muse, and each feature an internal 9-blade aperture and macro focus functionality.
The module weighs about 5.5 ounces, so you need to use it with most Lensbabies that help the Optic Swap system, however not the low-value Spark, which is not designed to carry its weight. It measures in at 2.1 by 1.9 inches (HD), makes use of 46mm front filters, and features a small plastic carrying case for storage. The bottom of the case has notches to take away or lock older modules just like the Mushy Focus Optic. However you will not want that with the Edge 50, because it protrudes far sufficient to grip and switch together with your hand.
When mounted on a full-body camera, the Edge 50 delivers a standard commonplace-angle area of view. However it may also be used with cameras with smaller image sensors, together with APS-C and Micro 4 Thirds fashions, the place the tightened subject of view makes it properly-fitted to portrait work. Portrait photographers utilizing cropped image sensors ought to take a look at the Edge 50 as an option if they like a shorter working distance between lens and topic.
The utmost aperture is f/3.2, and you may focus as shut as 8 inches from the front lens component. That provides it a reasonably respectable macro functionality, and the power to tilt the aircraft of focus utilizing a Lensbaby Composer or Muse definitely provides an edge to inventive photographers who need to play with focus. When shot at a distance, the impact can be utilized to offer panorama scenes a glance just like photographing a diorama. Many cameras mimic this with a “miniature impact” filter, however right here you are doing it optically.
As a result of the sector of focus is flat, you may as well seize pictures which are sharp from edge to edge, assuming that your Lensbaby is about completely parallel to the movie aircraft. That provides you a bit extra freedom to compose photographs than with the Candy 50 or the Candy 35, each of which seize a candy spot of focus on the middle of the body, surrounded by blur. One look just isn’t higher, per se, than the opposite. I are likely to choose the Edge optics, however I do see the attraction of the Candy design, and lots of Lensbaby followers swear by them.
Should you’ve been holding off on getting the Edge 50 since you already personal a wonderfully good Lensbaby and did not need to splurge on the Composer Professional II, you needn’t wait any longer. At $ 225, the Edge 50 definitely is not a discount option, however it’s not out of bounds so far as camera lenses go. It is interesting to photographers preferring a wider area of view than the Edge 80 offers, but in addition need the flat subject of focus that you aren’t getting with the Candy 50. When you’ve not but given a Lensbaby a attempt, however are intrigued, contemplate going all-in on our Editors’ Selection Composer Professional II, which incorporates the Edge 50 in its $ 425 price. There’s additionally the low-value Spark, which is an effective selection for photographers who’re curious concerning the Lensbaby look, however do not need to spend some huge cash to attempt it out for themselves.
Source : PCMag.com